Tag Archives: writing tips

Tough Love Talk About “The Writing Fantasy”

This isn’t a tough love talk about writing fantasy. No, I’m talking about The Writing Fantasy. The fantasy all new writers and creators have about the world of writing.

This is coming from someone who’s never been published outside of vanity sites, so take it as you will. That being said the more I interact with writers, the more I get sick of hearing about this mythical world we’re supposed to live in.

So here we go! Top five fantasies I’m going to completely crush into the ground!

 

1. Every bad review or person who doesn’t like my work is personally attacking me!
 

Well okay there, self absorbed Sandra, let’s tone it down a notch. When someone doesn’t like your work, it has nothing to do with you as a person. I know it hurts when you put months or years into a project only to get rejected by agents, your audience, or even past fans, but you can’t make everyone happy. Is it okay to get your feelings hurt? Yes, but if every bad review makes you fall apart and threaten to quit creating art, maybe it’s time to take a step back.

Now there is an exception to this rule. If you’re getting the same negative feedback every single time you put something out there, but you’re not fixing your mistakes, yes, some of the reviews might start to get personal. This is because you’re not fixing things that your audience doesn’t like. If your counter to this is “Well, I’m writing it for me, not to make everyone else happy! I’m not a sell out!” then why bother caring about reviews in the first place? Heck, why even put it up for anyone else to read if it’s just for your personal enjoyment and you don’t care what other people think?

2. I don’t have to read other people’s work anymore because I’m a writer now.
 
This isn’t “I don’t have time”, this is the “Nick Miller” defense.

Most, if not all professionals in any job, keep themselves sharp through practice, study and staying informed. Reading is part of the studying/staying informed portion of that for writers. You learn how other authors break writing rules, what works in their market (or in some cases what doesn’t work), and how to better your writing by studying the works of others.

And for those who think “I can’t read anyone else anymore because I’m just so fantastic as a writer, it’s insulting to read their drivel.”

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Welcome back, self absorbed Sandra. Get over yourself. There’s ALWAYS someone better than you out there.

 

3. Writing is romantic so I should try and copy some of my favorite classic literature.

Copying an author’s style as a warm up is eye opening, or doing it so that it makes sense in the story can be acceptable when done well. It’s when you’re forcing it on every aspect of your writing does it get old. Here’s a little secret. Readers are smart. They’re going to know you’re trying to be someone you’re not. It comes off as insincere and boring. It’s one thing to try and find your voice, it’s another to be so pretentious to think you’re the next Hemingway or Poe so you have to copy their style down to the last period.

4. I’ll just get an agent and they’ll do everything for me!

No. Wrong. Don’t expect this. Agents are very busy and the last thing they want is an author who can’t pull their own weight. Many new authors have to do a LOT of work in order to get their work noticed. You need to self promote, keep up your writer’s platform, network with other authors, talk to your agents about possible marketing opportunities, travel on book tours, start your next book, look for contests or magazines to submit short stories to, and those are just things off the top of my head! There could very well be a million other chores to do in order to get your book off the ground. Don’t expect your agent to be your fairy godmother, as magical and amazing as many of them are.

5. Editing is for writers who don’t know how to write.

Editing is CRUCIAL to writing your book. I can’t tell you how many self published authors I’ve spoken to who’ve excitedly told me about how they “wrote a book in three weeks” and then instantly put it out to the public without even doing a second read through. I’m not going to point out that there could be HUGE grammatical errors (because trust me, there will be), but you could have completely forgotten to finish a paragraph, or you might’ve accidentally cut out something without realizing it that one night when you were up till 2am working. There could be glaring inconsistencies that might’ve been fixed if you just took the time to edit your work.

I’m not saying you have to spend years on edits, or completely rewrite your novel, but not even looking at your work once you’re done could turn off readers if you have annoyingly obvious problems with your work. I’m even going to go back through and do a round of edits on this blog posts just to make sure things look good! Editing is important!

If you don’t like editing, save up and hire an editor. There are a lot of affordable options out there, and if you’re serious about getting published, it’s easy to put aside the money here or there to get your work in the hands of a professional. (I’m putting aside my coffee funds every month to get one and yeah, it takes time to save up, but it’s a worthwhile sacrifice)

And that’s it! Those are the writing fantasies I’m crushing for today. I’ll probably do another Tough Love Talk about this later, but I figure this’ll be good for now.

What are some writing fantasies you’d like to crush for other people? Comment below and let me know!

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10 Things To Watch for When Self Editing

I’ve been reading quite a lot of self-published work lately. Some great, others not so great, and what I’ve realized is most problems that arise in self-published writing comes down to the editing. Misspelled words, incorrect grammar, page layout, and fixing minor style problems are all things that slow your story down and get in the way of what could be a great novel.

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Now I’m not an editor by any means, but here are some things I’ve learned in my own work and in reading others that will improve your writing.

  1. Watch out for the same word showing up multiple times in back to back sentences. “She went up the stairs, and woke her sister up. “You’re late, it’s time to get up.”” It’s repetitive.
  2. U.S. writers have different spellings and word usages than other English speaking countries, which is fine, but make sure you’re being consistent. No “towards” in one sentence then “toward” in the following paragraph, or no criticizing one minute and then criticising the next. If you’re going to call “pants” “trousers” and “underwear” “pants”, stick with it through the whole book.
  3. When a new character starts speaking, start a new line. It’s very confusing looking at a wall of text and slows down the reader when they have to figure out who’s saying what.
  4. “And then she went up and walked down stairs. Then she smiled at her mother. Then she….” You get it right? “And then” can ruin a good book. Not only because it’s repetitive. It makes the story bland.
  5. Cut out flabby words in general. Better writers than me have written articles on this, check them out here and here. It might not always apply, but there are a lot of excess words that make a great book fall from readers’ graces.
  6. Say your dialogue out loud to see how realistic it sounds. A modern thirteen year old saying things like “Where do you purpose I venture from here?” sounds strange, if it’s not in the context of the story.
  7. When you make point of view changes, give a heads up by either changing the chapter, or separating it somehow from the rest of the work. Jumping into one character’s head and then another can be jarring for the audience.
  8. Keep your characters consistent. If your character doesn’t know something, they can’t suddenly have all the answers just because they read one paragraph of a news article. Or my favorite character inconsistency, “I’m a virgin who doesn’t even know how sex works”, but two pages later, “OMG that cutie has me thinking up dirtier things than Fifty Shades of Grey mixed with German torture porn.” It cracks me up every time.
  9. Keep the tone and style consistent. A book that starts out like Shakespeare, but ends like Stephenie Meyer after the fifth chapter, then turns into Hemmingway by the tenth gets confusing. All authors have their merits, but if you’re trying to copy a style, make sure you keep it steady. Again, this is only if it doesn’t make sense in the narrative. I’m sure there’s someone who’s pulled off changing styles, when it was in the context of the story.
  10. Conveniences are my least favorite thing in ANY book, self published or otherwise. This is the “The door was locked, but luckily he knew how to pick it using nothing but a spoon. But when he opened the door there was someone with a gun. Lucky for him, he knew how to use kung fu! They pushed him out a window, but luckily, he had super powers and whole time and could fly!” No one, not even a leprechaun holding a horseshoe made of rabbit feet, while also wearing a suit of four leaf clovers is this lucky! If you notice your character somehow getting out of every single situation from unexplained help, it might be time to make some edits.

Agree with my list? How do you go about editing your novel? What advice can you give to people who are new to editing their work?

From The Roots of The Family Tree – A writing exercise

It’s always surprising to me when I talk to writers and they know next to nothing about their character’s family history. Not because it’s a bad thing, but because I can’t get through writing my novel if I don’t come up with a few family dynamics for my main characters.

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This sort of thing helps me come up with everything from the character’s name to how they respond in social situations. Here’s a quick checklist I use when creating my character’s family history.

Who were their parental figures?: Not every character has to have a living parent, but everyone, whether they realize it or not, puts someone in that parental role. Who shaped your character’s life as a parent?
Why did their parents name them what they did?: This is by far my favorite way to name characters, because let’s face it, we have no control over what our names are, unless we change them. Which brings me to my next point – Why did they change their birth name if they no longer go by what their parents called them?
What philosophy or religion were they raised under?: While their parents might not have said “We’re raising you to be a stoic!” they very well could’ve kept a “tight upper lip” policy in the house. If you’re uncertain, here’s a huge list of philosophies and religions to research.
What’s their relationship with their siblings?: Or cousins, depending on if they have siblings or not. If they don’t have siblings, why don’t they have siblings, and how do they feel about being an only child?
Is the family a matriachy or a patriarchy?: Who’s more respected and looked up to in the family? A grand/mother or grand/father figure?
Who was the comforter and who was the teacher in the family?: Who did the character go to when they needed support, and who did they go to when they needed to be taught a life lesson?
How important was education, money and politics in the house?: Usually, this will be a basis for how your character acts towards society and the political sciences. While it might have nothing to do with your book, it does help build how they react to the world around them.
Do they still keep in touch with family members today?: Again, if your character doesn’t have any blood relatives, do they keep in touch with people they assigned the “family role”?

How do you build your character? Do you start from the family tree and move on, or do you have a different method?

Let me know if this sheet helps, and feel free to share with others.

Things to Do While Waiting for Agent Responses

I started submitting my first novel, Flightless, to agents this month, and one thing’s been made clear to me. I am NOT a patient person. The people who really know me will be shaking their heads right now, because they know this already, but to everyone who’s learning about me through my blog will quickly find out waiting is not my strong suit.

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To fill the time, I’ve come up with little ways to keep my mind off of the waiting game that is, “Will this agent like my work or not?”. Hopefully this will help anyone else who’s waiting, or at the very least make you feel less alone.
Start my next novel.
With Flightless over with, and three more books planned in the series, I’ve decided to take a little brake from my world of winged people and step into something a little bit darker. Wake the Dead is my next big project, and damn I am doing a lot of research. I’m creating my own magical system that revolves around life and death, and I’m learning all about alchemy, European magical societies, and high magical practices. It’s a lot of fun, and I can’t wait to get the project under way.

Play video games.
I don’t claim to be a “gamer girl” by any means, and really, I could only tell you about a few games I enjoy playing. I pass the time with things like Portal, Dragon Age: Inquisition, and Fable, or when I’m feeling nostalgic, Super Mario World. Diving into someone else’s story, in a different medium other than writing, helps me take my mind off work and lets me focus on the important things in life, like killing darkspawn and smashing koopas.

Read a new book, outside my genre.
I’m a fantasy/sci-fi girl at heart, but what do I really love to read? Crime and suspense! Give me a murder scene over a ride through a magical kingdom, or a daring detective over a knight in shining armor any day. Right now, I’m reading Crimson Lake, by Candice Fox and let me tell you, this author doesn’t disappoint. I’ve already breezed through Hades, ordered Eden, and pre-ordered Fall, when she offered to send me Crimson Lake after a book review. Now, all things are on hold while I finish this intense crime novel and her work helps me keep my mind off the “will they, won’t they” of my agent/author relationship.

Get off social media.
I’ll admit it. I’ve followed every agent I’ve queried, or want to query, just to keep up with them. I look into what conferences they’re going to, what online chats they might be participating in, or just generally what they’re looking for in an author. While I’ve been told this is a good strategy, this also means I’m not exactly taking my mind off all those queries floating around. So I started spending time away from social media to keep my mind off things. This has been the most useful technique thus far.

Watch a movie/tv show you know is bad.
My best friend “Alaska” will tell you, I have the worse taste in movies and TV shows. I don’t know what it is about cheesy, over the top action flicks or predictable television, but I find it hilarious and enjoyable. That’s not to say I don’t like “critically acclaimed” works out there, I’m just more likely to watch “Chronicles of Riddick” over “Annie Hall” when I want to be distracted. These sort of things are brain cotton candy for me, and it’s a great way to stop thinking about something serious and just have a good time.

And lastly, clean the house.
This is when I get really desperate, and we’re not just talking about doing dishes, or other piddily chores. No, I’m talking a top to bottom, dust the corners of the ceiling, take things out of closets, and run all the junk to Goodwill that I’ve been meaning to get rid of for months. Cleaning was always my mother’s way of keeping her world organized, and I think I picked this up from her. It gives you that little bit of control when you feel like you don’t have any. It helps, even if it does leave me exhausted by the end of the day.

Looking for other things to do to get your mind off waiting for an agent yes or no?

  • Visit a place you’ve been meaning to go but have been putting off.
  • Join a writing group to hear how other writers wait for the yes or no.
  • Take up another artistic outlet, or learn a craft you’ve always wanted to try.
  • Invite some friends over for a game night.
  • Work out.
  • Play a mindless phone game.
  • Write a letter to a teacher or adult who inspired you to write. Even if you don’t send it, it’ll help remind you of people who encouraged you in your life.
  • Take yourself out on a date. Go to the movies, see a play, eat at a nice place just to try it.

What helps you keep your mind off the waiting game? Are any of these suggestions one you’ve tried or are wanting to try?

Writing Female Characters: Physical Strength vs. Actual Strength

Say it with me.

“A physically strong female character doesn’t automatically mean a well written character.”

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Too many times, when a writer of any genre or media type wants to create a “strong” character, they make them physically strong.  Unfortunately, this is often done to females. We now live in a world where some writers rebelled so violently against the damsel in distress stereotype, we have many female characters that kick ass but who lack any real story or substance.

And don’t get me wrong. I’m not saying we can’t have female characters who can physically hold their own, but if the only thing a female character is good for is coming in, beating up everyone and then leaving, she’s no better than the underdeveloped “sexy lamp”.

So how do you write a strong female character?

1. Get rid of the words “strong”. If that’s the only adverb you can use to describe a character, she’s underdeveloped. What else is there to her besides her ability to kick ass? What is she passionate about? What is she skilled at that makes her more than just an action figure? 

2. And now that I mention it, stop saying your character is skilled, talented or extremely amazing at something and show it. I remember reading a YA book in my most recent brush with a writer’s group where the protagonist was supposed to be a great mountain climber who could hold her own on the roughest terrain. The character talked about it enough, but there was one problem, we never saw it. Even when it was a crucial part of a story, she’d only say she could handle it, and then she was never given a chance to shine.

Sure, a female lead can say all day long she’s fantastic, but tell the reader what she’s good at when you can show them? Let her share her knowledge instead of insisting she has it. Talk is cheap and if your character does nothing but brag, she loses her credibility. 

3. Create characters who can’t physically kick ass and who have real flaws. It’s no secret I’m a big fan of Patricia Brigg’s work, and in her Alpha and Omega series, the protagonist Anna spends less time relying on her ability to beat someone up and more on her gift of creating peace. She starts out as a quiet, scared little thing and grows into an emotional rock for not only her family, but for herself. She’s the only one who can stand up to even the most bad asses of men all because she’s comfortable with who she is as a person. 

We need more characters like this. We need characters that don’t say to the female audience, “You’re only strong if you can punch someone’s teeth in”. If a character is a great mother, we should celebrate that. If a protagonist is an introvert, we shouldn’t try to fix her. She doesn’t have to be physically strong or violent to be well written. Even if you’re writing a thriller, a superhero novel, or something where a female does need to be physically strong, that shouldn’t be the one thing that defines her. 

The world could use less female characters who are only put in place for kicking ass, and more female characters that are developed and hold their own in any situation.

What female characters do you feel like meet this standard? Which one showed you that it doesn’t take physical strength to be a strong person?

Also, if you’ve written a novel with a female character who’s more than just a one trick pony, lay it on me. I’m always looking for a new read to add to my pile.

Why Bad Reviews Are Actually Great

It’s every writer’s worst nightmare. Or really any artist’s. You put weeks of work, maybe even months or years, into a creative project. There are long nights, days you forget to eat, and more coffee than any human being should rationally consume, but when that project is finally done, it’s not just a book, or a song, or a painting. It’s YOU.

And then the wake up call comes. Reviews come in and the world absolutely hates it.

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It’s hard hearing a negative review. People telling you something you put all that time and effort into, is bad can hurt. But let me tell you, bad reviews are a good thing.

Before you close the page for thinking I’m crazy, hear me out.

When you get a bad review, or even a hundred bad reviews, there’s only one place you can go from there. Up. Well, you could stop creating art all together, but then the only person you’re hurting is yourself. Instead of looking at negative feedback as an attack, see it as you’re starting at square one, and now all you have to do is create something better than the first piece of art you put out to the world.

Still getting bad reviews after your tenth submission? Maybe it’s time to learn from that feedback. Now, I will say learning from trolls is going to be near impossible, but you can learn from the negative feedback you get from people who are giving constructive criticism. If you keep doing the same thing, over and over again, and expecting people to feel differently about your work, the only person you have to blame is yourself. Take a step back, hear what they’re saying, and learn from your mistakes.

And lastly, negative feedback keeps you humble and teaches you how you handle rejection from your audience. When you talk to authors who are on their third or fourth book, they’ll all tell you the same thing. You can’t please everyone 100% of the time. You can, however, learn how to overcome the insecurities that piggyback on artists from every field. When you see that negative review, acknowledge that it hurts, but instead of giving up, move on. Know that person isn’t in the demographic you’re writing for and find a different audience.

I know it’s easier to say this than to do it, but trust me. The minute you learn how to handle rejection from the audience, the more you’ll be able to tap into a creative part of yourself that isn’t afraid of what others will think.

 

How do you handle rejection when it comes to your artform? What keeps you going when you get a negative review?

My Reading Pet Peeves – How not to annoy your audience

Much like Aziz Ansari’s character, Tom, in Parks and Recreation, I have some “Oh No No’s”. But unlike Tom Haverford, my Oh No No’s don’t extend to my husband. They do, however, decide my relationship status with a book.

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Now these are just my personal opinions. If you do any of the following it just means I’m not your target audience.

This is just why I stop reading books.

1. The names of characters

When picking the name of your characters, a lot of things should be taken into account. Setting, family history, genre, and who your character’s parents were are all viable ways to name a character. Fantasy settings tend to have more out there names, and that’s acceptable. The romance genre can get a little corny, but we’ve all come to expect that by now. So what’s the annoying part of names? The cheesy names for no reason, the naming a character who sacrifices themselves after Jesus, or the blatant “character stereotype” names. I can’t tell you how many times I’ve read someone’s work where they have a girl named “Raven”, who’s a dark, brooding girl, with a dark past, and a dark future, and she’s just dark. Or how many Astras, Stellas, or Stars are quirky, “spacey” girls. When naming is done correctly, an author can shape a character and make a name fit into the narrative, but when names are just slapped on without any rhyme or reason, I say “Oh No No”, and close the book.

And it’s not just me who’s noticed this. Check out Cracked’s video “4 Bizarre Rules for Naming Fictional Characters

2. Instant character changes

I love character development. As a writer who focuses more on character driven stories than plot driven, when I find another author who has the same drive to create a well developed protagonist/antagonist, I will cherish that book for the rest of my life (as I have with Good Omens. Go find it and read it). When that development is rushed, however, I feel cheated. The mousy girl who magically becomes a sword wielding, viking warrior, the asshole guy who all the sudden has a heart of gold, the cruel villain who suddenly becomes kind, I’ve seen it too many times to count, and I can’t stand it. Now if the character grows into that role, I can accept it, but short of mind control or hypnotism, a character shouldn’t spontaneously turn into a new person in one page.

3. Short cuts/Deus ex Machina endings

This one infuriates me more than any other number on this list, because most of the time it doesn’t happen until I’m already invested in the novel. I agree with the fact that some stories do have to have a little bit of coincident to progress. If a character doesn’t happen to be walking down that one road, they never would find themselves in a story, after all. But when all hope is lost, and there is nothing that can save a character from a fate worse than death, there needs to be a believable way to get out of their problem. Again, usually it’s too late for me to throw out an “Oh No No” card by the time this happens, but it will make me question reading that author again in the future. You see this in Lord of the Rings, with the eagles, but that’s about one of the few exceptions I’ll accept.

4. Killing for the sake of killing

Have you noticed yet that I really love characters? While I enjoy plot, setting and story progression, I get attached to the people who live in between the pages. When a character dies, I’m completely okay with it, so long as it plays a part in the story. When characters die for no reason other than to shock the reader, however, I draw the line. I don’t need my protagonists to have happy endings, and in fact, I love it when they don’t because that makes it more real, but to just die for no other reason than the author wanting to “create chaos” I won’t pick up another book by them again.

5. The “Can Do No Wrong” characters, or their equally useless counter parts, the “So Extremely Dark and Edgy”

These are the perfect characters. The flawless, often times “inexplicably alluring” men and women who for some reason, are amazing. They look amazing, they sound amazing, they can sing, and dance and juggle chainsaws if they ever put their mind to it. And then there’s the anti perfect characters.  These are the ones who are so badass that if anyone even looks at them wrong, they’ll kick them into the ground, and everyone will be okay with this. Everyone in the novel loves these characters. Every man and woman wants to sleep with them and or be them, and chances are the antagonist only hates them because they’re jealous.

But that’s all there is to them. They never develop past how perfect, or imperfect they are, and the story sounds bland because of it. Most of the time, these beautiful bastards are abused in some way, either by bullies, their families, or by the antagonist themselves, but it won’t have any point to the story other than just being something to make that character all the more edgier.

When this character type marches onto the first few pages, I say Oh No and keep walking.

What are your Oh No No’s? Have anything that makes you toss a book into the library donation box? Let me hear it!

My Love/Hate Relationship with Editing

I hate editing. I really do. When you’ve got other ideas chomping at the bit to get on the page the last thing you want to do is spend ANOTHER round of rewrites on your current project.

That being said, it has to be done. Putting out unedited work for me means that I’m not taking pride in my writing. But when do you call it quits? When is enough enough?

Here’s my method.

After finishing a first draft, either by hand or on the computer and no matter the length, I let myself do 3 rounds of edits. The first one, I look for character inconsistencies, the second, story hiccups, and lastly, I do grammar and spelling. Then I pass it on to my beta readers. Depending on the size of the work, I’ll give it to one to three people for a read over, and after that, I allow myself one more round of edits before I call it a day.

Why do I do it this way?

I’m a nit picker with bad grammar. If I don’t limit myself to four edits, I spend more time worrying about if a project sounds good or not, than I allow myself to enjoy the writing.

Not only that, but writers have a habit of working a novel or story into the ground, and I’m no exception to this. No matter how many times I rewrite a piece, there’s always another way it can be said, another flaw I can fix, another word I can cut. After awhile, it becomes redundant.

So how do you edit your work? What’s your method to make your novel ready for the public? Comment below and let me know.

A Tough Love Talk About Finding Inspiration

Finding inspiration isn’t impossible. Yes, it can be hard and some authors did some crazy things just to tap into that creativity well. While you don’t have to write with a cat on your shoulders like Poe, or keep a desk full of rotting apples like Friedrich Schiller, you should find a way to get inspiration when you can, however you can.

Here’s my first bit of advice, and it’s something that I have to tell myself on a regular basis. Stop thinking your inspiration is dried up, that you have writer’s block, and sit down to work. If you’re wallowing in a lack of creativity rut and not looking for inspiration, you’ll never find the novel worthy idea that’s out there waiting for you. Writing, as much feeling goes into it, is all in your head. You come up with what you write, and you hold yourself back, as well. Take a good look at your lack of inspiration and ask yourself, is it really because you can’t think of anything to write? Or is it because you’re not trying hard enough?

Now that I’ve gotten the toughest of the tough love talk out of the way (a talk I have to give myself from time to time, I’m not guiltless), here are some paths to inspiration that could work for you.

1. Get out of your routine. Maybe you take a new route to work, eat something you’ve never tried before, or even listen to a song you might never listen to. Do anything that you wouldn’t normally do. Now write about it. Have a hard time writing about yourself? Pretend it’s someone else hearing that music for the first time. You’re not a writer listening to a song you’ve never heard before, you’re the boyfriend of a woman who’s getting to hear her sing for the first time. You’re the mother hearing the appalling music her children are into. You’re from another planet experiencing human sounds for the first time. If it’s new to you, it’s new to someone else. Tell their story, and run with it.

2. If that doesn’t work, become a collector. Collect newspaper clippings, smooth stones from riverbeds, magazine covers where you only get the headlines, or even bumper stickers. Now give your collection to your character. Your protagonist’s obsession with new bumper stickers could be what drives him through to your setting.

3. And if all else fails, look at ideas from a new angle. Flipping tropes and tossing traditional plots around are two of my favorite ways to find inspiration. You can surprise yourself, and your future readers, if you try and break parts of the mold to recreate ideas in fantastic new ways.

Need even more ways to find inspiration?

– Keep a dream journal.

– Carry around a “dialogue notebook” and write down conversations you overhear.

– Carry around a notepad in general, and write down any random idea that pops into your head. I’m not kidding, I wrote down “dragon people” one time. I have no idea how I’ll ever use that, but hey, it was a random thought and I think about way more often than I probably should.

– Watch a bad movie, and rewrite it so it’s better.

– Read, read, read, and read. Everything you can get your hands on, even if it’s not something you normally pick up. READ.

– Interview people from different walks of life. Look at their different political, religious and social views with unbiased eyes and not only can you get inspiration, you can learn something, too. You’ll find most people open up if you just ask for them to help you understand their way of life. As a personal side note, I spent three days interviewing people at a Hindu temple in Texas to learn more about their culture, and I wound up finding out more things about myself than I did for my writing. It pays off.

– Tell your version of the news articles. Hell, even if you only read Cosmo, list your “top ten ways to drive him crazy with your tongue”.

– Clean out your attic/crawlspace/closets and put aside items that need to have a story told about them.

– Shut your phone off and spend the day away from your house and technology.

– Speak as little as possible for an entire day, and try to listen more to what’s going on around you.

– Start a blog challenge.

Have anything you want to add to the list? Comment below, and I’ll feature your suggestion in my next post!
Need some books to build your inspiration? Here are three of my favorite. 

– Writer’s Guide to Character Traits

– Writer’s Idea Thesaurus

–  Writer’s Book of Days
Or try checking out tvtropes.org. You can find all sorts of tropes listed there to get inspiration from.