Hello all Aesthetic Sunday folks! Today I raided my Pinterest for everything related to Flightless and slammed them together for some aesthetic fun!
Kaitlin Harris One of the two protagonists in Flightless, and definitely the most important, Kaitlin is an art history major who spends more time in libraries than she does in malls. After her sister’s kidnapped, she’s forced into a world she spent her whole life running from, and come to terms with not being entirely human.
Christopher Bennet My second protagonist, Christopher is a disabled winged character (avian), who’s trying to help Kaitlin better understand the avian world. While he too is more of an introverted character, he’s inspired by the way swans act in nature. Christopher knows he’ll never be able to fly, but he hopes he can still protect those who matter most.
Credit for pictures in the links on my pinterest. Should you see an image that belongs to you that you’d like removed from the post, please contact me and I’ll take it down immediately.
Thanks to a poll on Twitter, this week’s Writing Wednesday is going to be all about writing the introverted protagonist (MC).
It’s important to first point out being introverted doesn’t always mean being shy or antisocial. While yes, some introverts have both these traits, this isn’t a be all end all way to describe them. Instead, the way I like to say they get energy from being alone vs. being around others.
“Introvert comes from Latin intro-, “inward,” and vertere, “turning.” It describes a person who tends to turn inward mentally. Introverts sometimes avoid large groups of people, feeling more energized by time alone.”
So how do you apply this to a character without making them come off as cold, distant, or friendless?
1. Master the art of internal conversation.
Because introverts are more likely to rely on personal experiences to make decisions, writers creating an introvert should learn how to write believable internal monologues. This shows the MC doesn’t voice their need for the opinions of others, but works through what they know to solve a problem. It’s easier said than done. You have to find a balance between the MC working out ideas, and talking to themselves way too much. If you need a place to start, however, look at times in your manuscript when your MC relies too heavily on the input of others, and instead let them look inward on how they’ve solved problems in the past.
2. Have other characters be understanding when your MC excuses themselves from the group.
One of my least favorite friend character trope in movies or books is the “Why don’t you get out more?” friend. This is the side character who’s only purpose is to encourage your MC to declare their feelings to the love interest, or punch their boss in the face, or something equally as outlandish to an introvert. They’re constantly trying to fix their friend, but in real life, when an introvert is friends with this type of person, it often times has a toxic effect. They’re not friends, the introvert is a project for the extrovert, instead of an equal.
Instead, have some of your side characters not see the MC as a pet, but as a human being who has different interests. This not only provides a healthy relationship between the two, but it shows the readers that your introvert is comfortable being alone and also having friends who understand them.
3. Avoid “longing looks” into crowds.
Most introverts will tell you they don’t want to be extroverts. I’ve never met an introverted person who went home and cried about how upset they were because they didn’t enjoy an overly populated outing. I’m sure they’re out there, I just haven’t found them yet. It would be better to have your MC celebrate their introversion. Show them relaxed and grateful when they get away from a situation they find draining. Maybe even have them be a little prideful about the fact that they like being alone. Hell, I know that’s how I get sometimes.
4. Write an introvert who takes charge.
Introverts can in fact be in charge, and some people even claim they’re better suited for the role than extroverts. That being said, leadership isn’t just being the boss, it’s guiding your team to success. Just because they prefer a small get together verses a huge party doesn’t mean they can’t also step up and take their coworkers, friends, and/or love interests on a wild ride to solve your novel’s crisis. Let your introvert lead, instead of being too timid to do so.
5. Learn more about the Myers Briggs introverts.
This shows the varying degrees of introverts. Some, like the INTJ are distant and often times come off as too calculating to befriend, while others like the INFP are eager to let their strong moral compass guide them in making decisions. You don’t have to base every character you have off this system, but it’s a good place to start to see the differences between introverts.
6. Show don’t tell.
I know people have mixed opinions on this, but hear me out. If you only say “my character is an introvert”, or “they don’t like social situations”, but your character never actually acts on these things, it doesn’t make your character an introvert. Instead of saying, “She didn’t like people, but was forced to be around them everyday for work.” you could just show your audience how much she hates being surrounded by customers, or how she finds sanctuary in her home after a long busy day. That way, it’s not just talk, there’s some action there, too.
7. Show the downsides to being an introvert.
I know I started this by saying, “Don’t just make them shy or antisocial”, but the reason why this is often times the only way people write introverts is because people perceive them this way. Being uncomfortable in a crowded place, getting worn out with too much interaction, and getting stressed when they don’t get some alone time are all some downsides for your character to experience.
Here are some other negative sides to introverted characters
– They can get so caught up in their thoughts that they overthink situations and cause more problems than they originally had.
– Because it takes time for them to make friends, when they make one, they could put that friend on a pedestal, giving the side character a place to fall from.
– They’re misunderstood by others because they turn down people’s offers to hangout, which can lead to comical misunderstandings.
– Being shy, or “afraid of social judgement” as Susan Cain puts it at TED2012, but only because they never learned how to navigate in social situations, as opposed to just being afraid of people.
– Some introverts aren’t risk takers, because they judge experiences based off of past events. If they took a risk in the past, and it turned out poorly, they might be more hesitant in the future.
I’ll do another blog post later about my favorite introverted protagonists as part of my “Favorite Trope” series. I go over some that fall into common character archetypes and how you can use those types in your own writing.
For now I hope this helps! If you have any tips please feel free to share them below.
It’s always surprising to me when I talk to writers and they know next to nothing about their character’s family history. Not because it’s a bad thing, but because I can’t get through writing my novel if I don’t come up with a few family dynamics for my main characters.
This sort of thing helps me come up with everything from the character’s name to how they respond in social situations. Here’s a quick checklist I use when creating my character’s family history.
Who were their parental figures?: Not every character has to have a living parent, but everyone, whether they realize it or not, puts someone in that parental role. Who shaped your character’s life as a parent? Why did their parents name them what they did?: This is by far my favorite way to name characters, because let’s face it, we have no control over what our names are, unless we change them. Which brings me to my next point – Why did they change their birth name if they no longer go by what their parents called them? What philosophy or religion were they raised under?: While their parents might not have said “We’re raising you to be a stoic!” they very well could’ve kept a “tight upper lip” policy in the house. If you’re uncertain, here’s a huge list of philosophies and religions to research. What’s their relationship with their siblings?: Or cousins, depending on if they have siblings or not. If they don’t have siblings, why don’t they have siblings, and how do they feel about being an only child? Is the family a matriachy or a patriarchy?: Who’s more respected and looked up to in the family? A grand/mother or grand/father figure? Who was the comforter and who was the teacher in the family?: Who did the character go to when they needed support, and who did they go to when they needed to be taught a life lesson? How important was education, money and politics in the house?: Usually, this will be a basis for how your character acts towards society and the political sciences. While it might have nothing to do with your book, it does help build how they react to the world around them. Do they still keep in touch with family members today?: Again, if your character doesn’t have any blood relatives, do they keep in touch with people they assigned the “family role”?
How do you build your character? Do you start from the family tree and move on, or do you have a different method?
Let me know if this sheet helps, and feel free to share with others.