Tag Archives: art

Feature Artist – Booublik

I love to work with artists. Not a big shocker to those of you who’ve been keeping an eye on me for awhile, but to those of you who are just tuning in, this is one of my favorite past times.

Usually, I’m trading artwork or writing them up character profiles, but sometimes, when I have some extra cash, I’m lucky enough to hire one.

When I hired the duo, Nord and Foxy, I was so excited. I’ve been following their artwork for a little while now, and the storybook style they have always made me think of a high fantasy short story I have tucked away in my files.

They captured the scene beautifully, and now that I got permission to post it, here’s the finished product.

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If you’re looking for an artist to commission, please consider them. They did an amazing job and the scene turned out exactly how I imagined it in my short.

 

Hope you all enjoy their work as much as I do!

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Favorite Art of 2018

If you follow me on Twitter, you know I occasionally post up sketches of my characters on Saturdays. I’m not as consistent as I’d like to be, but I’m hoping 2019 will be my year to finally nail down this “being active online” deal I’ve been working on.

Here are some of my favorite pieces I did this year! Hope you like them.

 

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Dietrich & Zali – Warm up writing characters

I am a huge fan of “warm up writing characters”. 

I have a blog post coming up shortly that’ll explain what type of warm up this is, but for now, I’ll leave you with D & Z here.

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Ian – Flightless universe

Some quick Flightless lore to explain the feather earring/in hat (seen below)! 
Whenever an avian is dating, married to, or bonded with another avian, they usually wear that avian’s down feather in their hair, as jewelry, or pinned to their shirt. In the case of bonding, it doesn’t have to be a romantic relationship, as occasional bonds are formed due to a sibling-like dynamic, and is considered more of a “best friend soulmate”. They’ll still exchange feathers to show off who they’re the closest with

 

Kaitlin
Kaitlin – Flightless universe

 

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Dilan – One off character

This boy is just a character I got from another artist that I don’t really do a lot with writing wise, but that I love to write for. He’s a demon, I guess? I’m not really sure what he is, but I love his ridiculousness.

Hope you all are having a great December! I’ll be popping some more posts out shortly.

5 Horror Shorts for You

The other night, I fell down the dark, black hole that is Youtube short films, and found some great horror flicks. Some are unsettling, some are just horror-comedy, and some are just plain scary. Here are the five I enjoyed most, and wanted to share with others.

Enjoy!

Viewer Discretion is advised.

Continue reading 5 Horror Shorts for You

Tips for Commissioning Artists for Writers

The relationship between an artist and a writer can be a beautiful thing.

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Writers write, and artists come up with amazing fan art, or can be commissioned for stunning book covers. We work hand in hand with one another more than we realize, and in return, many of us can get well known through the others’ work. In fact I didn’t start reading Sarah J. Maas’ work until I saw the beautiful character art put out by Coralie Jubénot.

But sometimes, like all relationships, things can get a little hairy.

Maybe this shouldn’t be directed just at writers, but since I’ve noticed quite a few writers doing this type of stuff, I’m singling us out. If you’re not a writer, and you want to commission an artist, you should probably remember these things too.

What not to do when commissioning an artist

  • Ask for free work.
    • And I mean ANY free work, including the “pay you later” type of work. If you can’t pay them when they ask for payment, you’re asking them for free art. None of this “Oh well, I can pay you after I make it big” or “I’ll give you money when my crowd funding campaign is over”. They’re still working for free. Some artists might say they don’t have a problem with this, but don’t just assume that an artist is going to be fine with waiting over a week for payment.
  • Ask to pay them in publicity.
    • This is still free. Can you pay your bills if someone asks you to write for them for free, but don’t worry they’ll tell a friend about you? No.
  • Tell them the last artist you hired did it for cheaper.
    • Artists charge different amounts based off many things. Skill level, time taken to produce the artwork, and personal value of their work all come into play. Someone who’s only been producing art for a couple years might charge less than someone who takes commissions on a regular basis for the past seven years. If you want cheap artwork, hire the other person, don’t try and haggle to get them to lower their prices to someone else’s standards.
  • Tell them you shouldn’t have to pay extra for digital art because there are less materials used.
    • This is one that I’ve heard a few digital artists over the years talk about. Keep in mind here, some digital artists have amazing technology to help produce their work, and sometimes that tech breaks down. Tablets break, tablet pen nubs need to be replaced, computers crash, and sometimes some software requires yearly updates that cost money, as well. Just because they’re not using a physical canvas doesn’t mean their work is worth less.
  • Think that because writing a book takes longer than drawing a picture, their work isn’t worth as much. 
    • This is something I’ve only heard from one writer, but it still completely confused me. Writing and art are two completely different mediums, that require different mind sets. One isn’t better than the other, they’re just different. By saying you took longer therefore your work is worth more, you’re taking away the years of practice it took for that artist to get where they are today. Sure it only took an artist a week to complete their commission, but they’ve been perfecting that craft since grade school.

What do you do when you find that artist you want to commission?

  • First off, check and see if they’re open for commissions.
    • Most artists will have a disclaimer somewhere if they’re open or closed, or at the very least, a way to contact them to ask them. By not assuming they’re just going to jump into working for you, you’re already establishing respect with your artist.
  • Find out what they’re comfortable drawing.
    • As someone who has some NSFW situations in my novels and short stories, I always check the artist’s “will/will not draw” page. Many artists have no problem drawing violence, artistic nudity, or sexual situations, however there are a few prefer not to do this sort of thing. Some might be willing, but would prefer not to due to their skill level with the subject. If the artist doesn’t have a list of things they’re okay and not okay with drawing, and you know what you’re looking for is questionable, don’t be afraid to ask them how they feel about certain subject matter.
  • If you KNOW you’re a picky person, give details.
    • I’m a little different when it comes to my commissions, in that I like to give the artist a little bit of creative control. I’ll tell them what the scene is, or what the characters look like, but after that, I tell them to interpret the information however they see fit. This doesn’t work for everyone. If you have very specific ways you want a picture to be done, tell them up front. Don’t be THAT difficult to work with, but still fill them in you have a specific vision for the project, so they’re not blindsided later when you’re angry with how it turned out.
  • Establish what you want the art for in the beginning. 
    • So you found the artist, they finished the commission, and you’re ecstatic to have some beautiful art to accompany your novel. You start using it as a book cover, posting it everywhere on websites and social media, and then suddenly you get an email from the artist asking for more money, or saying you went against their copyright. Some artists don’t allow for commercial use of their commissions, if it wasn’t established when the commission was first placed. Others might not want their work posted up online without giving credit to them as the original artist. If you know you’re going to use the artwork for bigger things, disclose this from the get go, and it’ll save both parties some pain and heartache.

This may seem like a lot, but if all else fails, remember one thing.

Hiring an artist is a business transaction.

If you think of it as two people exchanging goods, instead of two creative people coming together, you’ll leave the experience a lot happier. Of course, there will still be a creative exchange, just due to the nature of this situation, but don’t expect there to be no business talk. Treat each other with respect, and respect will be given.

I’ve hired artists, from base line beginners, to well established in online communities, and I have to say I’ve always had a great experience. If you want to get involved with artists, but don’t know where to start, please let me know! I’ll try to point you in the right direction.

Author Interview #10 – K Kibbee

If there’s one author on Twitter that’s stood out above others, it’s K (Kristine) Kibbee. When I first got involved with the #amwriting crowd, her work in progress bits caught my eye, and I knew I wanted to interview her for my blog.

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After reading one of her books, I finally was able to reach out to her! Enjoy.

Q. To start out, tell us a little bit about what project you’re currently working on. What part of the writing process are you in?

  • Goodness gracious, it’d be easier to tell you what I’m NOT working on! I’m presently launching book three in the Forests of the Fae series (Lang’s Labyrinth), prepping book #2 in my Theodore and the Enchanted Bookstore series (The Tale of Robin Hound) AND working on a new, hush-hush project that I hope will be the biggest yet!

 


Q. I’ve only read one of your books, Devlin’s Door: Forests of the Fae, and I love the use of the Pacific Northwest mixed with fairies. What was your biggest influences for your Forests of the Fae series?

  • Interesting you should ask, m’dear! I was inspired to write FotF after reading about an old, abandoned ghost town across the bay from Astoria. The city, named Frankfort, was left for dead back in the 60’s and has become an inhabitable, unreachable place overtaken by the wilds of the Northwest. It provided fodder a’plenty for this ole’ writer brain to get going, and my childhood fascination with Faeries took over from there! I’ve long been a fan of all things Faerie (think Brian Froud, Jim Henson, etc.), particularly the darker ilk. 😉

 

Q. If you could have dinner with any of your antagonists which one would it be?

  • Wow, that’s an excellent question! I think I’d love to have dinner with Aunt Claudia…just to see the glower on her face.

 

Who inspired you the most in your writing life?

  • I suppose that my Mom was my biggest inspiration. Ironically, she’s also been my loudest critic . . . but it’s ultimately made me a better writer.

 

Q. You’re extremely active online, and participate in numerous hashtag games. What advice would you give to people who are trying to build their online presence?

  • Another well-timed question on your part! I actually just participated in a podcast/Skype-style interview that is geared towards up-and-coming writers who are seeking to gain a foothold in the literary community. As my portion of the presentation, I offered a 30-minute “Tweetorial,” which will be available online next month! I don’t have a link at present, but Sage Adderly, with “Sage’s Blog Tours,” is the driving force and should be posting it in the coming weeks.

 

Q. What writer do you look up to? Do you find yourself emulating their writing style?

  • If I were to pick a recognizable face to look up to, it would probably be J.K. Rowling’s. I’m sure this is an answer often given by indie authors, but I suspect my reasoning is different. I fancy Rowling for her activism and for what she’s done to improve the writing world (and the world at large!) with her sizable royalty checks. I do, also, admittedly, admire her dedication to research and world building… although I don’t find myself emulating her work.

 

Q. I noticed you went to college at Washington State University. Were there any professors who influenced your writing or inspired you on your journey?

  • Honestly, my memory has the consistency of Swiss cheese. Unless you’d reminded me that I went to WSU, I’d have plum forgotten! So…that’s a hard no. I can’t even remember my professors’ names!

 

Q. When writing Devlin’s Door, was the main character, Anne, inspired by anyone in your life?

  • Anne was more inspired by everyone than anyone. I tried to make Anne your ordinary, everyday girl. She has no magical powers . . . no royal ancestry . . . she’s just a girl with pluck, cleverness, and an enduring spirit.

 

Q. What was the first writing project you worked on and what did you learn from it?

  • Again with the Swiss cheese memory! I could no sooner tell you how many bottles my Mom typically gave me in a day! I do recall piecing together little stories about dogs, using clippings from various magazines I had laying about. I was young enough . . . the most I learned from that experience was probably not to eat glue.

 

Q. What’s your favorite thing about writing for the Middle Grade age group?

  • I feel like MG readers still have enough youthful innocence that their imaginations are malleable, and willing to stretch a bit further than those of older readers.

 

Q. E.L. Doctorow once said, “Writing is an exploration. You start from nothing and learn as you go.” What have you learned from the past few books you’ve worked on?

  • I’ve learned that there are no shortcuts in the writing world. I think everyone wants to be this overnight sensation. They imagine the Hollywood version of a writer–where a book deal is lain your lap by some publisher heralding your praises. If you believe that, I’ve got some magic beans to sell you! This is W-O-R-K…a mountain of it. So much, in fact, that no sane person would ever seek it out.

 

Q. If there was one fairy tale you’d like to rewrite for a modern audience, which one would it be, and how would you write it?

  • I guess the idea of rewriting turns my stomach a bit. It makes me ill to see things copied over and over and over and over again. There are so many amazing, creative new ideas. Why do we keep rehashing the old ones? Naw, my mind wants to create something new. I have far too much imagination to mimic someone else.

 

Q. Everyone always goes on about what they love about writing. What do you dislike about writing, and how do you overcome this?

  • I’ve come across it a few different times and can’t tell you who the original author was/is….but the quote that comes to mind is, “I hate writing. I love having written.” That’s me, in a nutshell. It’s always difficult to get myself to just SIT DOWN AND WRITE. But when I do, I always walk away feeling immensely satisfied. There’s nothing like it. Well, short of cake. 😉

(edit – Thank you to alamlovespoetry via twitter, for letting us know that Dorothy Parker is the source to this quote)

 

Q. Are there other art forms you find yourself taking part in?

  • I do a bit of sculpting, but the kiln keeps blowing my stuff to bits. I feel like someone is trying to give me a hint.

 

Q. Writing is an exhausting process, and it’s always good to take a step back before attacking the page again. What helps you the most when it comes to taking a break from writing?

  • I do a lot of walking. A LOT. 10 miles a day. It’s very therapeutic and meditative.

 

Q. Which character of yours do you find yourself thinking of more than others?

  • Curiously, I think about the animal characters. It’s so difficult to interpret what animals are thinking, because they can’t tell you. I always worry that I’m not portraying them correctly.

 

Q. Lastly, where do you see your writing career taking you in five years?

  • I’d love to say that I see myself skyrocketing to the top of the NYT Best Seller list, but if my past 15 plus years are any indication . . . I’ll just be slogging along, as per usual . . . sharing my work and trying to bring a bit of magic into this oft-dull world.

 

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Want more of K Kibbee? Find her here! 

http://www.Goodreads.com/KKibbee
http://www.Facebook.com/KKibbeewrites
http://www.Amazon.com/author/KKibbee
http://www.Incorgnitobooks.com/authors/K-Kibbee
Twitter @K_Kibbee

Flightless Fan Art #2 – Daniel Bennett

When I first made Daniel, he played a crucial part in the original draft of Flightless. 

In spite of this, there really wasn’t anything to him. He was his girlfriend, Elizabeth’s, arm candy, and my main character, Christopher’s little brother. Daniel filled any exposition holes, but he wasn’t really “his own man”. He only existed to benefit others not because he belonged in the story.

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Original artwork

 

So he was chopped from the final draft, but I realized I had a great opportunity to add him to a different book that exists in the same universe as Flightless.

I rewrote him, created a well rounded character, and wow, the art that came from the changes to him turned out incredible.

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Daniel & Elizabeth Commission by Maddy

Daniel grew up in an abusive household. While it wasn’t intentional abuse, his mother thought she was doing the right thing, it was abusive none the less. Unlike Christopher, who shouldered all the problems and saw it as his job to take the brunt of the pain, Daniel grew resentful.

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Anthony, Elizabeth and Daniel by Kennie

Even after he was taken out of the situation, he still acted like the world owed him something after everything he went through. When he was forced to move away from his brother, and in with an able bodied “flock” (a, yes, very cheesy word I use for my avian family units), he was crushed.

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Nap Time by Maddy

At the end of the first book, there’s talk of Daniel coming to see his brother again, after years of being apart, but when he arrives in the second, Christopher is already gone. Forced with another abandonment, he spends time with Elizabeth, and the two work through both of what’s happened in their past, while growing closer through mutual respect.

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Church Meeting by Jillian

I can’t wait to tell his and Elizabeth’s story. It’s going to have a heavier romance plot than my other ideas for the Flightless universe, but one that’s a slow burn compared to a whirlwind of emotions.

If you’d like to see more of my own Daniel art, here’s some below! Hope you enjoyed it.

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Want more artwork? Check out my last art share, for Anthony Ortega.

 

 

Obligatory Disclaimer

All above artwork was posted with permission given by the artists, so long as credit was linked back to above accounts. If you’d like to use any of the above artists, please contact them directly through links to ask before posting images. 

 

Aesthetic Sunday – “Flightless”

Hello all Aesthetic Sunday folks! Today I raided my Pinterest for everything related to Flightless and slammed them together for some aesthetic fun!

Enjoy! 

Kaitlin Harris
One of the two protagonists in Flightless, and definitely the most important, Kaitlin is an art history major who spends more time in libraries than she does in malls. After her sister’s kidnapped, she’s forced into a world she spent her whole life running from, and come to terms with not being entirely human. 

Christopher Bennet
My second protagonist, Christopher is a disabled winged character (avian), who’s trying to help Kaitlin better understand the avian world. While he too is more of an introverted character, he’s inspired by the way swans act in nature. Christopher knows he’ll never be able to fly, but he hopes he can still protect those who matter most.

 

 

Credit for pictures in the links on my pinterest. Should you see an image that belongs to you that you’d like removed from the post, please contact me and I’ll take it down immediately.

Flightless Fan Art – Anthony Ortega

Before I started writing Flightless, I was obsessed with drawing the characters in my winged universe.

Because I spent a lot of time developing the world through art, I wound up getting quite a few pieces of artwork over the years, either as fan art, or in some cases commissions. While I’ve always been active with artists of other mediums, I don’t spend a lot of time talking about Flightless with the writing community.

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Anthony by Kennie

So to open up more about the world I’ve been building, I’m going back to art. Over the next few weeks, I’ll be showing off some of the art I’ve received over the years, in hopes of letting people get to know my universe, as well as my characters. This week’s feature character is Anthony “Tony” Ortega.

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13 y.o. Tony by Sarah Weinberg

Tony, my little Spanish songbird from Cádiz, Spain, and is the youngest character in Flightless. In this universe, humans coexist around winged humanoids called avians. Besides having wings, they’re just like you and me…except for the fact that they have some questionable instincts and strict rules on what’s appropriate and inappropriate behavior.

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I’ll Fly Away by Megan

Tony’s mother is an avian, and his father’s human, so sadly, his wings will never develop for him to fly. In fact they’re significantly smaller than other avian’s his age. His mother was supposed to have gotten rid of him at birth, because it’d be kinder to him in their culture in the long run, but instead, she gives him to an avian who lost his wings, William.

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Getting Ready by Allicyn

While he has his own story I hope to tell one day, he’s a representation of the childish hope my main character, Kaitlin, has in being able to have a happy ending. He’s a sweetie so I hope to do him some justice one day, and at the very least give him a short story of his own.

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Anthony Commission by MurphAinmire

Here’s some of my own artwork for him. Hope you enjoyed!

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Inspired by the Strange

After taking a walk around some museums this week, I realized something. I’m am entirely too inspired by dead birds.

Flightless, for those of you new to my blog, is my work in progress that revolves around people with wings. It’s no secret that I love birds, and I’ve taken a much deeper interest in ornithology since I started my novel in order to build a believable world and a realistic species.

As much as live birds inspired me and my writing, walking around a museum and seeing still life paintings of hanging pheasants, ducks with broken necks, and small song birds laid out on tables, I realized that was more the mood of my novel than the live birds I’d been studying. Heck I was more inspired by those paintings than I was holding an a hawk a couple weeks ago.

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You can always tell when I’m way too happy. I smile so much, I wind up squinting so bad.

After I made this discovery about my sudden love of dead bird imagery, I whipped up a quick banner with a picture of some of these classic oil paintings and decked out my Tumblr, Facebook, Twitter, and even my Deviantart page.

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Yes. I have a Deviantart page. I know.

It got me wondering though. . . .

What’s something strange that you find yourself inspired by? Comment below and let me know! I love hearing what inspires others.

Favorite Spooky Buys on Etsy

It’s time for Personal Post Weekend! This is where I write non author related things and share what I’m looking at online, or what I’m going through in my everyday life.

I’m particularly excited about this one, as it falls on October first, the start of my favorite month!

I’m the type of person who prefers going to curio shops to get my Halloween decorations, and I can admit, some of them stay up in my art room year round. While my husband doesn’t mind it, for the most part, I keep the creepier items of my wishlists on just that, instead of having my house turn into a natural science museum.

That being said, I’ll be sharing them with you today just to spread some love to Etsy artists and sellers.

As a quick disclaimer, some of the images below can be a little unsettling for the squeamish. Viewer discretion is advised.  Post contains taxidermy art, big leather books, and somewhat occultish curios.

Continue reading Favorite Spooky Buys on Etsy